Darling,
I’ve always said if you can't silence the noise in your head, you might as well plug it in and let it whip cream. Why not multitask? You were never built to rest anyway, were you?
Love, Joan
_______________________________________
“Overthinker” is a surrealist feminist collage by Joan Seed that takes the kitchen appliance and puts it exactly where it belongs: in your head. With an icy stare and a beatific smirk, our chrome-domed heroine endures the whirring madness of modern womanhood—equal parts beauty, burnout, and stand mixer.
Joan Seed’s signature pop-surrealism dismantles domestic tropes with razor-sharp wit, here turning a 1950s hand mixer into a visual metaphor for mental overload. Set against a luscious magenta backdrop, the piece is both playful and biting, polished and unhinged. A perfect acquisition for collectors of dark humor, surrealist feminist art, and satirical social commentary.
This limited-edition work blends mid-century vintage aesthetics with modern malaise, and it belongs on the wall of anyone who's ever had too many tabs open—in life or in Chrome..
For inquiries email joan@joaseed.ca
Artwork Details
Title: Ride The Snake
Medium: Mixed media digital collage
Dimensions: Available in 30×30” inches and 60×60” inches
Edition: Limited, signed and numbered by the artist
Year: 2025
Availability: Museum-quality giclée prints on archival paper
Ideal For: Canadian art collectors, political art dealers, and galleries focused on cultural commentary
© 2025 Joan Seed. All rights reserved.
Darling,
I’ve always said if you can't silence the noise in your head, you might as well plug it in and let it whip cream. Why not multitask? You were never built to rest anyway, were you?
Love, Joan
_______________________________________
“Overthinker” is a surrealist feminist collage by Joan Seed that takes the kitchen appliance and puts it exactly where it belongs: in your head. With an icy stare and a beatific smirk, our chrome-domed heroine endures the whirring madness of modern womanhood—equal parts beauty, burnout, and stand mixer.
Joan Seed’s signature pop-surrealism dismantles domestic tropes with razor-sharp wit, here turning a 1950s hand mixer into a visual metaphor for mental overload. Set against a luscious magenta backdrop, the piece is both playful and biting, polished and unhinged. A perfect acquisition for collectors of dark humor, surrealist feminist art, and satirical social commentary.
This limited-edition work blends mid-century vintage aesthetics with modern malaise, and it belongs on the wall of anyone who's ever had too many tabs open—in life or in Chrome..
For inquiries email joan@joaseed.ca
Artwork Details
Title: Ride The Snake
Medium: Mixed media digital collage
Dimensions: Available in 30×30” inches and 60×60” inches
Edition: Limited, signed and numbered by the artist
Year: 2025
Availability: Museum-quality giclée prints on archival paper
Ideal For: Canadian art collectors, political art dealers, and galleries focused on cultural commentary
© 2025 Joan Seed. All rights reserved.
Feminist absurdism collage and pop art critique of domesticity | By Joan Seed
