Retro sociopolitical homosexual in denial artwork.
A love letter from Joan
Darling,
It all started with a man in a suit, a bedspread the color of regret, and a boy too beautiful for HR. I call it “The Job Interview,” but let’s not kid ourselves—he got the position before he even applied.
Oh, the 1960’s. When curtains were louder than protests and silence was just another sexual orientation. They said “don’t ask, don’t tell,” but I’ve always been more of a “look, darling, and gasp.”
This piece is my love letter to every boy who dared to iron his slacks for an appointment with a man who pretended not to watch. It’s for the drapes, the vodka, the hush, the heat.
Hang it above your sofa, your bar cart, or your conscience.
Love,
Joan
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“If Walls Could Talk” is a bold, ironic, and irreverent mixed-media collage that disrobes the sterile veneer of mid-century masculinity, exposing the closet, the cocktail, and the coded glances between buttoned-down repression and uninhibited revelation. Set in a vibrantly artificial motel room straight out of a 1960’s corporate fever dream, this composition confronts queer invisibility with dark wit and brutal clarity.
This work is part of Joan Seed’s anti-religious, queer retro-futurist canon—satirizing outdated patriarchal values while serving vintage seduction with a chaser of socio-political commentary. This piece is ideal for daring interior designers, bold art collectors, and queer culture curators. A conversation-starter for those not afraid of a little vodka with their Veritas.
—————————————————————————————————————-
Title: If Walls Could Talk
Artist: Joan Seed
Medium: Mixed-media digital collage
Paper: Museum-grade archival giclée paper
Available Sizes:
30 x 30 inches (76.2 x 76.2 cm)
60 x 60 inches (152.4 x 152.4 cm)
Inquiries & Commissions: joan@joanseed.ca
Copyright: © Joan Seed. All Rights Reserved.
A love letter from Joan
Darling,
It all started with a man in a suit, a bedspread the color of regret, and a boy too beautiful for HR. I call it “The Job Interview,” but let’s not kid ourselves—he got the position before he even applied.
Oh, the 1960’s. When curtains were louder than protests and silence was just another sexual orientation. They said “don’t ask, don’t tell,” but I’ve always been more of a “look, darling, and gasp.”
This piece is my love letter to every boy who dared to iron his slacks for an appointment with a man who pretended not to watch. It’s for the drapes, the vodka, the hush, the heat.
Hang it above your sofa, your bar cart, or your conscience.
Love,
Joan
—————————————————————————————————————
“If Walls Could Talk” is a bold, ironic, and irreverent mixed-media collage that disrobes the sterile veneer of mid-century masculinity, exposing the closet, the cocktail, and the coded glances between buttoned-down repression and uninhibited revelation. Set in a vibrantly artificial motel room straight out of a 1960’s corporate fever dream, this composition confronts queer invisibility with dark wit and brutal clarity.
This work is part of Joan Seed’s anti-religious, queer retro-futurist canon—satirizing outdated patriarchal values while serving vintage seduction with a chaser of socio-political commentary. This piece is ideal for daring interior designers, bold art collectors, and queer culture curators. A conversation-starter for those not afraid of a little vodka with their Veritas.
—————————————————————————————————————-
Title: If Walls Could Talk
Artist: Joan Seed
Medium: Mixed-media digital collage
Paper: Museum-grade archival giclée paper
Available Sizes:
30 x 30 inches (76.2 x 76.2 cm)
60 x 60 inches (152.4 x 152.4 cm)
Inquiries & Commissions: joan@joanseed.ca
Copyright: © Joan Seed. All Rights Reserved.
Retro sociopolitical homosexual in denial artwork.